Brendan Fernandes: Steady Pulse

July 13 – September 1, 2017

Due to the process-based nature of the Session program, Steady Pulse will undergo constant modifications; the features of this page provide accruing information on the project’s developments.


Hit Back: July 18, 20, 26; August 1, 3, 8, 10, 15, 17, 22, 24, 26, 3-6pm

Terrorist Faggot: A Conversation with Kareem Khubchandani: July 22, 3-5pm

Body Architecture and Spatial Agency: Lily Mead Martin in Conversation with Brendan Fernandes: August 2, 4-6pm

Emergency Rave Dance Party: August 4, 7-9pm

Platform To Stand, To Dance: Felix González Torres’s Untitled (Go-Go Dancing Platform): A Conversation with Evan Moffitt: August 8, 6-8pm

On Flashing Lights: A Conversation with Kavita S. Kulkarni: August 19, 3-5pm

Free Fall Performance: August 25, 7-9pm

Make Your Mark – Sign the Floor: August 26, 12-6pm

All events are free and open to the public. Events are subject to change.



Steady Pulse

On July 13, Brendan Fernandes will begin work on Steady Pulse, a project that will transform Recess into a club that plays host to a diverse range of happenings and interventions, including performances, movement workshops, conversations, and dance parties. At the center of the club will be an architectural and sculptural dance floor, which will shift appearance and function as it acts as a platform for the varied events. Across the project’s interlocking elements, Fernandes will investigate the valences of the dance floor as a queer space that is variously safe and unsafe—a site for joy and fear, release and reflection.

During the Session, Fernandes will stage his dance performance Free Fall—which includes dancers falling at intervals when the accompanying music stops—as a means of exploring the dance floor as a support for the upright body that simultaneously carries the power to impact, damage, and ultimately hold still the bodies that fall onto it. As a complement to this piece, Fernandes will develop a new performance at Recess called Hit Back. Through open rehearsals with dancers and invitations to visitors to engage with choreography through a graphic score, Hit Back will take shape as a meditation on the agency of movement. The Session’s discursive programs and evening events will address the topic of how states of emergency or aggression can be reframed as moments of action. To this end, an “Emergency Rave” dance party will feature a siren-like lighting installation, suggesting that in the face of urgent conditions, dance can offer one form of cathartic release.

Steady Pulse takes inspiration from the song lyrics of “And the Beat Goes On” by The Whispers. In addition to titling the Session with an echo of the steady, forward progression that characterizes the song’s eponymous refrain, Fernandes pulls out a double entendre of the song’s “beat.” While this word reads as a reference to musical counts in the lyrics, Fernandes’s performances will trouble this benign association with allusion to the more violent, physical register of the verb “to beat.”

The project’s key component of the dance floor carries resonance as both a socio-political site of laboring bodies in performance and a site of potential for the expression of queerness. With respect to the latter, Steady Pulse points toward moments of historical significance including the Orlando Massacre at Pulse nightclub and instances of communities activating a dance floor as a site of memorial, for example at the Highways Performance Space in Santa Monica, California where names of dancers and actors who died of AIDS are marked on the floor. By drawing out connections to these references and creating its own associations through programming, the Steady Pulse dance floor will create opportunities to reflect on the political act of claiming a space for sanctuary and resistance.

Open to the public Tuesday-Saturday, 12-6pm; Thursday, 2-8pm


 About the Artist

Brendan Fernandes (b. 1979, Nairobi, Kenya) is a Canadian artist of Kenyan and Indian descent. He completed the Independent Study Program of the Whitney Museum of American Art (2007) and earned his MFA from the University of Western Ontario (2005) and his BFA from York University in Canada (2002). Fernandes has exhibited widely domestically and abroad, including exhibitions at the Solomon R. Guggenheim Museum, New York; Museum of Modern Art, New York; Museum of Art and Design, New York; Musee d’art contemporain de Montreal; The National Gallery of Canada, Ontario; The Brooklyn Museum, New York; The Studio Museum in Harlem, New York; Mass MoCA, North Adams, MA; The Andy Warhol Museum, Pittsburgh, PA; Deutsche Guggenheim, Berlin; Bergen Kunsthall, Norway; Stedelijk Museum, Amsterdam; SculptureCenter, New York; The Quebec City Biennial; and the Third Guangzhou Triennial in China. A monograph on Fernandes’s work, titled Still Move, was published by Black Dog Press, London (2016). In fall 2017, Fernandes will be included in a series of events and performances surrounding the 50tth Anniversary of the MCA Chicago. He is currently Artist in Residence and Faculty at Northwestern University in the Department of Art Theory and Practice and is represented by Monique Meloche Gallery, Chicago.







This program is supported, in part, by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. This project is also supported in part by an award from the National Endowment for the Arts. Art Works, the Andy Warhol Foundation for the Visual Arts, the VIA Art Fund, and a Foundation for Contemporary Arts Emergency Grant.